It has made her appreciate her studio and her own work again

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rubisultanat
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Joined: Sat Feb 04, 2023 6:14 am

It has made her appreciate her studio and her own work again

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Schedule A second element she still struggles with is the intelligibility of the voices. “Do I want you to hear the words of the voices As soon as the voices are intelligible, as a viewer you almost automatically start listening to what someone is saying. That diverts attention from the overarching sound, the cadence, that you actually want to create in the installation. Hooghwinkel is therefore experimenting with the residual sounds of the sound recordings and sounds of objects she makes in her studio. She is looking for an undertone that mixes with the voices and thus makes the words disappear from the voices. She hasn't decided yet what kind of sound the undertone should be.

As long as it's a consistent background noise that connects the voices. After all, not every sound recording lasts the same time, so that the voices always flow Lebanon Phone Number List into each other in a different way. The sound of the installation is therefore always different and a consistent undertone would then be a nice connecting factor. Working from a familiar environment Hooghwinkel's residence turned out differently in practice than she had imagined when submitting her project proposal. Witte Rook currently does not have a space of her own, which means that she works on the STEM is material from her own studio. Initially she thought that was a pity, she had hoped to be able to step out of her own world of thought and creative process by starting work at a different location. Unfortunately, that was not possible, which forced her to approach her studio in a different way.

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Before she started the residency she therefore first cleaned up to literally and figuratively make room for new ideas for this project. The noise of other projects was removed from the space in order to re-explore her studio. For example, she made recordings of the floor, how it sounds and what its influence is on the voices. Or she recorded sounds of paving stones rubbing against each other and their reflection on the concrete floor. She called these sounds 'the sound of the day'. Once Hooghwinkel had accepted that she would be working from her own space, she fully dared to take on this challenge. I managed to concentrate on the sound and delve into it more and more.
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